Archive for cooperstown
This is an unusual winter day, in central New York…wet and windy after a night and morning of torrid rain. We continue this winter’s pattern of unusually mild weather with spikes of freeze.
The rainbow was a nice surprise, Henry and Valentine sauntering beneath it, too.
Ah, winter in central New York…
Just over five years ago (after too many years in LA), I moved to central New York to renovate an 1820’s farmhouse that I had bought sight unseen off of a Facebook post.
Central New York. The beauty of the area, the seasons, the open spaces…brought me to my knees. Literally. It was what made of me an Iphonographer.
It was as if, so far into the middle of nowhere, I could see again.
That first winter was mild and wet, too. I wondered where the fabled heavy snows and ice storms of the NE had gone.
I remain grateful for the reprieve…as do Henry and Valentine. Their endless foraging continues unhampered by pesky ice and snow. Miller (not pictured) continues to lay eggs.
And I continue to take photos with my iPhone, unable still to use it as an actual phone..in the middle of nowhere.
My peonies sleep
curled into their red roots
frozen with the ground.
I walk with what is left of winter
and discover a tiny animal, wet and black,
bereft of possibility.
It’s too close to spring to die.
we need a month of sunny days
before we dig and plant.
a hale storm threw
a million tiny pearls
onto tawny fields
as soon as they landed.
Is not this a true autumn day? Just the still melancholy that I love — that makes life and nature harmonize. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one’s very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns. ~George Eliot, letter to Miss Lewis, 1st October 1841
My third Fall in Central New York!
Yesterday, I drove to Sharon Springs for the HarvestFest and took back roads, it was a blue sky day, the leaves are changing, the corn is blonde.
I LOVE this place. This is the kind of thing that turns me on- a perfect crisp Fall day.
When I left LA , three years ago, I had no idea what to expect. I knew I was going to the east coast, I knew it was somewhere in the middle of NY state. I knew one person, the guy who posted the picture of my house on Facebook (neighbor, Tim), and I knew that the house I bought sight unseen from that post was waiting to be renovated.
I didn’t know where I would work, I didn’t know how far away a grocery store might be (12 miles). I said goodbye to Starbucks (nearest one, 100 miles away) and all the trapping of a city.
Because I had no expectations everything is a bonus.
I am in the middle of nowhere but there are great people here (always great people, no matter where I roam)- Tim has a girlfriend Margo, whom I love and is my photography muse- one of my muses, out here I have so many muses.
The guys who demo’d and rebuilt my house, a fun group of rag tag gypsies, all turned out to have hearts of gold.
I found a job with Beekman 1802 (wholesale director).
I’ve met a fantastic group of women (Leslie, Cheryl, Susan, Carla, Tina, Margo, Kristen, Marjorie, Rose Marie…on and on).
I’ve found a thriving artists community that has a long and storied history from Ginsberg’s beats back to The Hudson River Valley School and before that, settlers and, of course, native Americans artisans.
Recently, I’ve gotten to know one of the rag tag gypsies, the tall one with the long hair, the one with the tattoo on his bicep, the one with the sexy smile, the one who can repair a stove when the mice have taken over, the one who can play guitar, sing like an angel, chase me like the devil, the one who is sweet sweet sweet…he is a handyman if there ever was one.
The beauty and fun of this place never ceases to thrill me.
Discover Cooperstown’s best kept secret…Origins Cafe at Carefree Gardens.
Locally harvested food in a gorgeous greenhouse setting…this is the brainstorm of two equally gorgeous Cooperstown, NY, sisters.
Kristen and Dana Leonard have lovingly crafted a creative breakfast and lunch menu full of fresh local and organic ingredients.
Free spirits and staunch supporters of the Slow Food Movement, and of our local farmers, these women really know how to make things happen in a delicious way.
Lucky for me, the girls love my iphoneography and now Origins at Carefree Gardens keeps a mini gallery of my work on their cafe/greenhouse wall.
Address: 558 Beaver Meadow Rd, Cooperstown, NY 13326
The floral and veg images were gathered from my daily walks around my 1820’s farmhouse and my drives around Otsego County, including the beautiful Cooperstown area.
Each 8 x 8″ photograph is infused directly to aluminum, float mounted and ready to hang, each one is signed and numbered (5 in a series).
The photos are limited editions and once the tourists arrive in C-Town they will sell like organic panini.
To view the photos, stop by the cafe and say hello to the Leonard sisters and their parents, Brent and Mary (who fell in love at Cornell and founded Carefree Gardens over 28 years ago).
Buy a plant, have a smoothie and a panini, and you will fall in love with the Leonard’s and C-Town, just like I did.
Dunga Brook Diary…there are characters that appear and reappear in this story…there is David, the two horse town lawyer who closed the deal on my $10,000 house, the man I dated when I first arrived in CNY, actually the only man I have dated in CNY…and tonight he did my taxes (second year in a row) and even though he has seen my bank balance disappear exponentially since I have arrived, I’ll be damned if he didn’t look me in the eye with a twinkle that said- you are one crazy bitch from LA but I love you.
April 6th at 5pm, opening reception at Cherry Branch Gallery, Cherry Valley, NY.
“When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.”
Leaving LA after 25 years felt like the right thing to do. LA was a pit stop, a very complicated, very expensive pit stop on my journey through life.
On the road from LA to NY, I followed my son in his truck and took iPhone photos through my truck’s windshield. Mostly of his tail lights.
I’m an old hand at leaving. But this cross-country move was different, I was uprooting someone else’s life.
Connor was off to college in the fall and somehow I’d justified it in my mind that moving the day after he graduated from HS in LA would be the best timing for both of us.
I didn’t cry during our going away party, I didn’t cry as we packed, when we drove away, as the hours and the miles across the deserts and mountains ticked by.
Across the plains, the skies were a cathedral of thunderheads, rainbows that went straight up and down, lightning that streaked sideways.
I took photos through my truck window of those things, too.
We landed in central New York to renovate an 1820’s farmhouse that I’d bought, sight unseen, from a post of Facebook.
As my new life began to take shape in the summer before Connor left for university, I took photographs of everything.
By the time the old house was renovated, Connor was at school and I had taken well over 20,000 photographs.
And I had carpal tunnel from uploading and editing all those photos but I couldn’t stop- the beauty of the land surrounding me was astounding.
I cried at night because my arm hurt so bad but the tears were different from the tears that I cried as I followed his red tail lights into those storms, heading east.
Those were tears of joy, realizing what a fine young man he had turned into, a brave soul, ready for adventure, a young man who faced the open road with open mind and heart.
My show at the Cherry Branch Gallery is a celebration of central New York and the life one can find in the middle of letting go.
“One must maintain a little bittle of summer, even in the middle of winter.”
~Henry David Thoreau
“No one ever died from sleeping in an unmade bed.”
Dunga Brook Diary, 2/28/13
Yesterday, I sat with Kristen, the gallery director at Cherry Branch Gallery. Prepping for my show, we were scouring each and every picture I have uploaded to FB in the past year and a half, she’s picking her favorites and categorizing them.
There are about 7 folders of pictures so far, my favorite being the “I can’t live without” folder, loaded with pictures that make her sigh, close her eyes and drop her head in exhausted ecstasy. There are a lot of pictures to look through. She might just be tired.
When I see my photos through her editing eyes, I can see we are going to have a kick ass show.
One thing I don’t have many of are “people photos”. This is Margo, my neighbor, making sausage in her kitchen last summer, you can’t see Tim who is half-naked with a tattoo across his shoulder’s that reads, “Grace”. Margo is in this lovely white Grecian gown that looks like it cost about a dollar but you could take her anywhere.
Kristen would drop sigh, drop her head and close her eyes at this photo, too, but she hasn’t seen it yet. When she does she will drop into the folder “special effects” because I photoshopped it. She will ask me to find the original. She likes purity.
And I will. But I couldn’t resist photoshopping it last night, Margo is a work of art.
A big hug and XO to you, Kristen.
“There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”
Well, it’s settled then. Monday’s are miracles. Period.
”…when I die lord won’t you put me up on that train…won’t you send it southbound give it a cool bluesman name…”
~Ryan Bingham, Southside of Heaven, Mescalito
Dunga Brook Diary, 2/24
It’s a silent day in central NY, snowing again.
This abandoned train on the outskirts of Oneonta reminds me of Ryan Bingham. Ryan Bingham reminds me of LA. LA reminds me of The Cinema bar.
One summer night, circa 2001, I dragged my LA music producer boyfriend there, I was sure he was going to love it- I’d read in the LA Weekly that the Cinema Bar was a great place to hear live music, a place where singer-songwriters like Lucinda Williams might show up and join in with whatever local band was playing.
We finally found The Cinema bar on a dank street populated with no-tell motels and shuttered wholesale carpet outlets on the edge of Culver City. Twice, we’d missed the red and green sign above the door spelling out its name in buzzing neon.
Inside, it was a hole in the wall. A juke joint. A place with no cover, no doorman and only one bartender behind a bar far bigger than the rest of the room facing a thirsty, blue-collar looking crowd.
The decor was easily out of date by the 70’s, with its party-stained wood interior, haphazard stools and rickety tables and rotating-slogan beer signs, instead of hipster LA pin-lighting and banquette seating.
Above the head of the weary, chain-smoking bartender was a tv chained to the wall, endlessly broadcasting sports to the unsportiest of crowds. There was a grandma with a beehive hairdo who looked as if she’d been there since 1965, a toothless trucker falling asleep beside her, a cadaverous fellow chain smoking with his pinky in the air, numerous colorful rockabilly chicks in cowboy boots and a group of flannel over wife beater wearing he/she’s giggling next to a Howdy Doody looking character raising a can of Shiner Bocke to the band.
The band was loud.
Back when I was a teenager living in Illinois, in a nowhere town that sidled the Mississippi River, I thought that I hated bars like this.
Still, that was exactly where you’d find me on Saturday nights with my boyfriend, I’d be wearing a tube top and we’d be playing foosball underneath neon signs, he’d have a Busch in his hand flirting with me between scoring goals and I’d be under-age drinking a blue Hawaiian, we’d both be singing along to Lynard Skynard songs playing on a jukebox amped to deafening decibels. Aside from the drunken welders and rage filled Viet Nam vets who truly owned those riverfront bars, it was exactly where I wanted to be on those muggy midwestern nights.
The Cinema bar’s stage was nothing more than a spot for the band set up in at what used to be a front window (blacked-in now). The band and the fans stood just elbows apart, sweaty face to sweaty face.
Turns out the band that the LA Weekly had mentioned would be there had already played there the week before, this was some other band.
We stood at the packed bar, easily 3-deep, trying to breathe in the cigarette smoke-filled room, an impossibility, so we listened. The band strummed, the drummer set a rhythm, a key board player in horn rims played something I think I heard in high school at Scotty’s Skateland when it was time for “the couples skate”, then something happened, the lead guitar took over, he bent low over that guitar, he worked it, wrenching out the cords, the singer closed his eyes and sang louder, suddenly a swooping feeling inside as the room began to vibrate and shimmer…
The band was AWESOME.
My heart jumped. Stuff like this reminds you of who you really are and where you come from. Until that moment, I had no idea how deep the red in my neck ran. This rock n roll and this tiny dive bar just off the 405 was the closest thing to heaven I’d found in LA.
Wow, I mouthed to my boyfriend. Wow, he mouthed back and hugged me in.
The band was announced as the Randy Weeks Band. Turns out Randy was a stalwart of the Americana scene in LA, a scene that somehow began in the 80’s with punk bands like X, The Blasters and Randy’s previous band The Lonesome Strangers.
In the 80’s, I was a newly minted fashion designer hanging out in Manhattan Beach doing another version of X with the terminally cool south bay crowd and “dancing” to canned Depeche Mode.
The highlight of my 80’s nights, whilst semi-dancing to music I didn’t like and couldn’t understand (beneath black lights in a pseudo-rave bar)? Picking neon lint off of hipsters dressed in black whose veneers were another kind of delight- all that horsey dental work flashing, like fluoridated strobes, all shades of neon blue.
Finding The Cinema bar, a good 16 years after moving to LA, tore me up.
When I realized that this Americana scene, full of skinny dudes with awesome songs manhandling old guitars, wearing the Levi’s and the cowboy boots of my youth, with the camaraderie and seediness of a good Midwestern dive bar, that all this had existed all along but I’d been too busy designing ugly ass hi-top sneakers and wearing tight polyester bike shorts with belted jackets and Muglier shoulder pads whilst listening to KROQ…well, I sat down and cried.
By the time I found Randy, he had been in residence at the Cinema Bar on Saturday nights for years. Lucky for me, he’d be there for a few more. In those few years we became friends. I’m even on the liner notes of his album Sugarfinger, an album that my boyfriend eventually produced (with my dogged prodding, he was busy by then with REM, Courtney Love, Ryan Adams et al).
And, I met Lucinda Williams at The Cinema bar. Briefly. She was dark. Kohl eyed. Mumbly. Awesome. Her boyfriend at the time was Mike Stinson, the drummer in Randy’s band. By then, Lucinda had recorded Randy’s song, Can’t Let Go, for her album Car Wheels On A Gravel Road.
I met Miss Pamela Des Barres there, too. A bit after Lucinda…Miss P was dating the same drummer after he and Lucinda split. Listen, the guy is an amazing drummer. Pamela was a vision with her twinkling eyes and ruby smile, watching her twirl on the dance floor made everyone wish they were in love, always.
I never caught Ryan Bingham at the Cinema Bar, although I heard he played there. I found Ryan through Shilah Morrow and her promotions group, SinCity, when they threw his Mescalito launch party in Hollywood.
I missed that party but googled Southside of Heaven. One listen and I was hooked. He has a voice that is at once raw and gorgeous, it is like no other. And, one look at him sent me cursing the gods that made age and whatever else come between us. It’s that smile, that cowboy smile.
The first time I saw Ryan play was at a hole in the wall venue in Topanga. It was bittersweet. That night, I so much wanted to share Ryan’s music with my boyfriend but we’d split. Instead, I went with a friend who could have cared less.
When I heard Southside of Heaven, it blew me away, you know that feeling- ecstatic and desperate, hungry and satiated, high and jonesing, you want more more more. Come on, you know what I am talking about! It’s more than that smile, its that voice…
If Randy Weeks was my homecoming, Ryan was my rocket back to the stars. That man is my Bob Dylan. My ___ (fill in your own blank, we all have our own thing going on).
I was in the audience of every LA area show Ryan played until I moved to CNY. Sometimes I’d go alone, most times I went went with my friend Bobbie who fell in love with Ryan just like me.
By coincidence, a year before I left LA, I was in the audience at the Oscar’s when Ryan won his Oscar for the soundtrack of Crazy Heart. Crazy. Heart.
Randy Weeks lives in Austin now and we’ve lost touch. Mike Stinson has his own Americana career via the Houston honkytonk circuit. Miss P became my writing mentor. Bobbie has visited me in CNY twice now and taken up portrait photography. I’ve moved to the east coast to an old farmhouse in the middle of nowhere to write, take photos, dream, and just recently I’ve reconnected with my ex.
Ryan is in Topanga prepping for another newer and larger tour than the last. The last time I saw him live was in a tiny venue and it felt like the last time I needed to. He hit it big. I knew he would.
Out here, we have Ommegang. And that is a very, very good thing. A great brewery that holds a great concert series in the summer- I’ve seen Steve Earle, Bon Iver, Lyle Lovett, Darius Rucker, Wilco, Cake and many others, almost all of them in one summer.
Not bad, but my dream line-up would be be Randy Weeks and Lucinda Williams with Ryan Bingham.
Miss P would be there dancing like a dream, Bobbie would be the official photographer and I’d be in the audience, on the grass, under the stars with you know who by my side.
A girl can only dream on such a winter’ day.